Koshu Japanese Art

Koshu (Akemi Lucas)

Koshu was born in a small town, Mito in Yamaguchi Prefecture. At the age of three, she lost sight in her left eye, with it losing her sense of balance in writing.  Her mother therefore sent her to a Calligraphy school to be taught under Mr Senzan Fujimoto at the age of eight. This marked a turning point in her journey as she started learning the style of Mr Goseki Nishiwaki through the Bunka Calligraphy association in Tokyo under Seizan’s guidance. Over years, Koshu learnt diverse styles of calligraphy used by other well-known calligraphers, alongside developing her own style. 

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At the age of twenty-four, Akemi was qualified as a calligraphy teacher, and given the name “Koshu” by her master Seizan. The following year, after her return from the UK where she studied English, she set up her own school to teach Calligraphy and English. She followed Seizan till his last breath, during which she learned sumi painting, seal making, scroll making, and gained qualifications in certificate-form writing and pen writing. Over this time, she exhibited her artwork in several local galleries.

 

However, in 1998, after five years of marriage, her English husband passed away from cancer. Koshu therefore decided to close her school, and move to England to raise her daughter as wished by her husband.  Later on, she re-started her calligraphy courses in the UK as “Koshu Japanese Art”.

 

In 2013, Koshu held her solo exhibition in London, at the same time publishing an art-book “Love and Dream”.  This marked a great turning point in Koshu’s journey.  Yet throughout, her underlying principle taught by her master was to never neglect the beginner’s mind, and continue practicing the basics.  With this mentality and persistent training, her unique method of calligraphy “Hakufu technique” (3D writing) was introduced internationally.

 

In 2014 and 2016, Koshu was invited to participate to an incredible art event “Art in Action” in Oxford, where she exhibited her artwork and carried out demonstrations during four days in the summer of both years.

 

In May 2016, Koshu held her third students’ art exhibition, exhibiting 110 artworks in total, receiving great feedback as a teacher.  Her teaching focuses on portraying the individuality of each student through their art whilst pushing their potential.  Since, she has been running many workshops of calligraphy, sumi painting and seal making.  In addition, instructing some students through the grading of Bunka Calligraphy Association in Tokyo, nurturing the art of Japanese calligraphy internationally.  Currently she has guided four students to become qualified teachers in addition to 9 Dan holders in both brush and pen calligraphy.

 

In October 2016, she was invited to hold her solo exhibition as a part of 110 years’ anniversary event of the for mer British Consulate in Japan, receiving recognition as a Japanese artist in the UK.  This exhibition was titled, “the heart of the flower” after one of her signature artworks.  This artwork portrays the life of a Lotus flower, nurtured in muddy water, yet despite his, blooming above the water as a pure and delicate flower.  This exhibition held great importance to Koshu’s journey, making several appearances on Japanese TV and newspapers, strongly connecting her to the origins of her calligraphy.

 

Currently, her book and artworks have been viewed internationally, guiding the viewer through her journey of life, and the hardships encountered.  She only wishes for her artwork to speak to the mind without words.

 

In 2017, she has plans to hold her workshops in Japan, to publish her second book, and to prepare for her solo exhibition in London.

Koshu's Exhibitions

1995 Nov Koshu first solo Exhibition in Mine-city, Yamaguchi, Japan
1995 Feb Joint Exhibition at Gallery Nakano in Yamaguchi, Japan
1995 May Joint Exhibition at Gallery Aka Renga in Yamaguchi, Japan
1995 Jul Koshu and her students’ exhibition at Dream House Opening
1996 Feb Joint Exhibition at Gallery Nakano in Yamaguchi, Japan
2001 Jun ​Some calligraphy and sumi paintings were displayed at the Queen Elizabeth II Golden Jubilee Celebration Art & Crafts Exhibition in South Nutfield, Surrey, UK
2004 Feb​ Koshu solo exhibition of Japanese calligraphy and brush paintings, “Sincerely from the heart” at Bletchingley Central Gallery, Redhill, Surrey.
2004-2006​ Displayed some artworks at a hotel lobby in East Croydon, Surrey.
2013 Nov​ Koshu solo Japanese art exhibition “Love and Dream” at Frameless Gallery in London.
Published the Book “LOVE and DREAM” by Koshu.
2014 Jul​ Exhibited various works at Art in Action in Oxford.
2016 Jul Exhibited various works at Art in Action in Oxford.
2016 Oct Koshu solo Japanese art exhibition “Heart of the lotus flower” at the former British Consulate in Shimonoseki, Japan, for the 110-year anniversary event.

Workshops and Demonstration

2004 Apr​ Japanese calligraphy and painting lecture and demonstration at Lingfield, Surrey.
2010-12​ Teaching calligraphy class bimonthly at Woldingham school, Surrey.
2011 Oct​ Calligraphy workshop and Japanese card making workshop at the students’ exhibition
2011​​ Started regular seal making workshops.
2013 May​Calligraphy workshops for teachers, Japanese club and art students at Wavell school, Hampshire.
2014 July Invited to ‘Art in Action’, held at the philosophy school in Waterperry, Oxfordshire. Demonstrations throughout this four-day event.
2014 Sep​ One-day Japanese calligraphy workshop for a group of English calligraphers in Kent.
2014 Nov Workshops and demonstrations for two days at Anifest in University of Kent.
2015 Feb School holiday workshops for kids to teach Japanese calligraphy, sumi painting and seal making.
2015 July​ Joined Japan day at local secondary school (Wavell School, Hampshire), held 3 Japanese calligraphy workshops.
2015 Nov ​In addition to the calligraphy and seal making workshops, started sumi painting workshops a few times a month.
2016 July​ Invited to ‘Art in Action’ for the second time, held at the philosophy school in Waterperry, Oxfordshire. Four days of demonstration of sumi painting and Japanese calligraphy and exhibiting her art works.
2016 July​ Started sumi painting workshop in Caterham, Surrey
2016 Oct-Nov Held 7 different workshops of calligraphy and sumi painting during Koshu’s exhibition at the former British consulate in Shimonoseki, Japan.
2017 Mar Demonstration at the Martial Arts Charity Seminar in Fleet, UK.
2017 Apr Demonstration at the Martial Arts Charity Seminar in Guildford, UK
2017 Apr Demonstration at the Camberley Woman Institution
2017 Apr Demonstration and Workshops at the Hanami Festival at the Brogdale Farm in Kent

Students’ Art Exhibitions & Grading Challenge

2003 Koshu’s Students’ Art Exhibition 1; Bletchingley Centre, Redhill, Surrey, UK (20 artworks)
2011 Koshu’s Students’ Art Exhibition 2; Miller Centre, Caterham, Surrey, UK (42 artworks)
2016 Koshu’s Students’ Art Exhibition 3; Bourne Hall, Epsom, Surrey, UK (101 artworks)

 

Not only has there been an increase in the number of students coming to Koshu’s weekly classes, more and more of these students, seeking a challenge, have started taking Japanese calligraphy grading exams through the Bunka Shodo-Gakkai (based in Tokyo). Today about 25 students have joined the brush lettering calligraphy category, and seven students have entered the pen lettering calligraphy category, working hard towards various grades. Some are already “Dan” grade holders, one of which was awarded the master’s qualification in brush lettering, and another in pen lettering calligraphy. It is challenging especially to those who are non-Japanese speakers, but Koshu has been supporting her students, challenging them and pushing their potential.

Koshu Japanese Art 紅秋書道、墨絵アート
紅秋書道、墨絵アート

Koshu’s Commissioned Works

1996 Sep Commissioned to create a sign board of a Japanese potter’s studio in Japan.
2000-02 Commissioned to write certificate forms for the printing company in Japan.
2003 Aug Commissioned to create a sign board of Japanese chess school in Japan
2004 May Commissioned to create a screen as a part of a stage set, a poem with sumi painting in the UK.
2004 Jun Commissioned to create an artwork for a family who visited Koshu’s exhibition.
2006 Feb Commissioned to write some words for the brochures of a Chinese food company, SeeWoo Foods Limited in UK.
2012 Jan Commissioned to write 44 pieces of bookmarks with the name of their employees for Chugai Pharma UK Co.
2012 Sep Commissioned an art work from Philippines to create a calligraphy piece based on a poem.
2012 Oct Commissioned to create the words used for the brochures of Mitsubishi Motors UK.
2014 Mar Commissioned to write the title of the film “Imphal 1944” in Japanese and English.
2014 Jun Commissioned to write the name cards of 20 VIP guests for a conference dinner of the Libra Group Ltd.
2014 July Commissioned a seal making work of dragon
2014 Oct Commissioned to create a full size artwork of a tanka (short poem) written at the special exhibition as celebration of Kado (flower arrangement) Ikenobo UK 553 years. Her work was displayed at the entrance of the event.
2015 Apr Commissioned an artwork for a company “Made by Analogue” in London to write the name of the Gin bottle.
2017 Jan Commission work from Canada to design and carve a seal.
2017 Mar Commissioned to create a large artwork for the waiting room of a dental clinic.

Japanese Restaurants & Others

In 2011, Koshu was asked to create her art work on the walls of the new Japanese restaurant “Maki” in the popular residential town of Richmond, London. On one panel, she wrote “Wa”, which means harmony. On four other panels, she wrote poems and haikus representing each season, in hopes the customers would feel at one throughout the year. On the walls of the washrooms, she painted a Japanese lady dressed in a traditional kimono with a cheery blossom in the male room and bamboo for the female room, accompanied by a Japanese poem. Maki restaurant is currently very popular from families to couples, always full with reservations.

In 2014, Koshu won a commission work for the newly opening Japanese restaurant Kobe Sushi. Her artwork “Qi Energy” can be seen on two of the main walls, as well as on their sign and menu. After some discussion with their architect, she decided to write the letter “Qi”, hoping to give the restaurant good Qi energy. This restaurant is casual in style and very popular.

 

For some years: Commissioned to create several art works for the showroom and the office of an interior design company.

 

*For some years: Requests from the British Iai-do, Aikido and Karate groups to create logo, seal, motto of their dojo, etc.

 

*For some years: Various artwork requests from a tattoo company, requested to create tattoo designs, which also can be framed for display.

 

*For some years: Commissioned a dozen of art works and seals from a Reiki Dojo in Portugal. (Holding workshop in Portugal is also under discussion.)

 

*For some years: Various personal commission artwork

 

*For some years: Created some art works for clients in Japan

Direct Lineage for Koshu

Koshu blends East and West to produce some of the most exciting Japanese Art in her field.  She is named Deshi (honoured student) of Master Seizan Fujimoto, who was a named student of the famous master, Kakudo Arita, who was a named student the legendary famous master, Kaikaku Niwa, following the historically well known calligrapher of Meiji period, Meikaku Kusakabe.

 

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Koshu (1967-  ) : At the age of 8, she started to learn Calligraphy under Seizan Fujimoto.  Under Seizan’s guidance, she studied Goseki Nishiwaki’s style and later on studied other well-known calligraphers’s styles as well.  At the age of 24, she opened “Koshu Calligraphy school” in Japan, and since 2002 she has been teaching and introducing Japanese art internationally.  She has created her own style of art through blending the Eastern and Western cultures.

 

Seizan Fujimoto (1919-2004): Seizan was born in Yamatuchi and studied under Kakudo Arita.  He opened the “Honanshogei School” and became a vice-president of Japan Calligraphy Kigo Association.  Kakudo advised him to study the style of Goseki Nishiwaki, who also studied under Meikaku Kusakabe.  Seizan focused on teaching the basic skills for beautiful writing.  He used mathematical based ptoportions to schieve his beaugiful calligraphy, which he developed into a book.  He spent his life teaching and training his successors, and also used his great skill in scroll-making to contribute to the restoration of historically important works.

 

Kakudo Arita (1899-1974): Kakudo was born in Yamaguchi and went to Meikaku Kusakabe’s school in Tokyo in the 9th year ot Taisho. There, he studied under Kaikaku Niwa and became a professional calligrapher.  In Kana style, he studied under Chikudo Takatuki who studied under Gado Ono, who was a hitrorically well-known calligrapher in Kana style.  Kakudo collaborated with other calligraphy experts and focused on innovating calligraphy education and also introducing calligraphy for both artistic uses and for writing.  He opened his calligraphy school in Hagi and focused on training his successors as well as working as an elementary school teacher.

 

Kaikaku Niwa (1863-1931): Kaikaku studied under Maikaku Kusakabe.  His active period covered both the Meiji and Taisho period (late 19th century to the mid-1920s).  He created his own style, based on Zheng Daozhao style dating from sixth-century China, and the “Kaikaku style” predominated all over Japan.  He was one of the most charismatc calligraphers with Tenrai Hirai and Secchiku Kondo.  He has great influence in the world of calligraphy and focused on developing the modern calligraphy education.

 

Maikaku Kusakabe (1838-1922): Meikaku was a Cabinet Diplomat of the New Governmanet in the Meiji period.  After his retirement, he developed his own Meikaku style, influeneced by a Chinese Calligrapher named Yang Shoujing.  He became one of the three most influential calligraphers of the Meiji period, along with Gochiku Nakamura and Ichiroku Iwaya.  He was named as the Father of Modern Japanese Calligraphy, and kown as an artist as well as an educator.  He trained a great many apprentices, so even now a lot of calligraphers follow his style.

紅秋書道、墨絵アート